"Traces of Antigone"—a bold approach to the myth of Antigone that comments on timeless gender-based violence, written by Swedish playwright Christina Ouzounidis—is not merely a reference to the surge in femicides we hear about more and more intensely in Greece, but "a tragic commentary."

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In the performance, speech, music, and new media compose a landscape within which the action unfolds, without looking to invite or entice. Perhaps one of the warmest remarks written abroad about the show, by the American philosopher Judith Butler, says it all: "I loved the performance and I am grateful that you translated the piece into English and other languages. It is socially powerful and wonderfully experimental. It moved me and made me feel deeply grateful for feminist art that connects our rage with solidarity."