About

Elli Papakonstantinou

Elli Papakonstantinou connects notions of myth and gender philosophy by revisiting the classics and creating immersive experiences. Elli is a performance director, playwright, visual artist and cultural manager. She creates performances with an emphasis on music, and new media. She is the artistic director of the international theatre company ODC Ensemble. 

Elli has lived in the UK for over a decade and has created and presented her work internationally. Her most recent work “ALKESTIΣ”, is a feminist rewriting of the Greek myth and was commissioned by the Royal Theatre of Sweden & performed by the Dramaten Ensemble/ Royal Opera of Sweden Ensemble (2022).


The global lockdowns led Elli to experiment with a new form of digital theatre, that she named “theatre of seclusion”. “Traces of Antigone” -one of the first live digital performances- and “Hotel AntiOedipus” were presented around the world in organizations such as IRCAM/Centre Pompidou (Paris) and Romaeuropa Festival (Rome) to critical acclaim (Amazone Award and nomination for Italian Critics Award.) (2019-still on tour). 

“Oedipus: Sex with Mum was Blinding” had its sold out run at the famed  BAM (Brooklyn Academy of Music), in New York (Opera WIRE choice of the Fall, the OBSERVER choice).  (2019) While in the US, Elli was commissioned to write and direct “The Kindly Ones” which was presented in the “Mauthausen” Concentration Camp, Austria and transferred to the “Camp Des Milles” in Aix-En-Provence, France (La Manifacture/off Avignon Festival) after a residency at the Center National des écritures du Spectacle, la Chartreuse. (2019, 2020)

Twice a proud Fulbrighter, in 2019 she spent 4 months researching new technologies in performance at CCRMA (Computer Center for Music & Acoustics), at Stanford University (US) and in 2004, she spent Spring at the Media Lab, at Princeton University with a “Fulbright Artist’s Award” and a “Stanley J. Seeger Visiting Fellowship”.

Amongst other achievements, she has been credited with a “First Prize Award” at the Edinburgh Festival, (UK) and a “First Prize Award” for the REP, Birmingham (UK) as well as the ‘Music Theatre Now 2018-19’ international competition.

Elli has been commissioned by the European Capitals of Culture “Valetta18” and “Eleusis21” and has presented work at the European Parliament of Culture. Her creations have toured internationally at the Centre Georges Pompidou/ IRCAM (FR),Brooklyn Academy of Music (US),The Royal Dramatic Theatre of Sweden (SE), Avignon Festival (FR), Neukollner Oper Berlin (DE), Romaeuropa Festival (IT), LaMaMa E.T.C. (US), Edinburgh Festival (UK), National Theatre of Greece (GR) O. Festival (NL), Aalborg Οpera Festival (DK),  PUFF Festival (CR), Copenhagen Opera Festival (DK), New Drama Festival (CR), Stanford University (US), Currents Festival (US), National Theatre Genova (IT) etc.

ODC ENSEMBLE

“A key element in ODC’s work is their multi-disciplinary practice, which I see as an expression of the idea of multiplicity from which emerges ODC’s politics of desire, not only as a narrative device (that too), but merely as an aesthetic and ethical proposition. The political, in this sense, is not merely related to what ODC’s work means, but what it does.”

–  Philip Hager

Founded in 2002, ODC Ensemble has made more than 20 works for theatre, dance, film and media directed by Elli Papakonstantinou. ODC Ensemble founding members are: Dimitris Kamarotos, Elli Papakonstantinou, Tilemachos Mousas, Telis Karananos & Alexandra Siafkou, Adrian Frieling and Valia Papachristou. Further members include: Anastasia Katsinavaki, Pantelis Makkas, Rosa Prodromou, Ero Lefa, Chariklia Petraki.

ODC Ensemble was based at their own venue cultural space Vyrsopdeseio from 2011 until 2017.

Among recent artistic achievements, the company has been nominated winner of the Music Theater Now 2018 International competition, the First Award Prize at the BE Festival for the REP, Birmingham, UK and also Amazone Award winner and nominated for the Italian critics award 2020. The company has been supported by The Greek Ministry of Culture, the Arts Council of Great Britain, Denmark and Sweden.