The play THE BACCHAE is originally a Greek tragedy by Euripides, dating from 405 BC. Performance artist Elli Papakonstantinou has created a contemporary adaptation, which is a theatrical, performative and chaotic vortex, mixing genres such as theatre, opera and queer culture.

This play tells the story of Dionysus' return to his native city of Thebes, and his revenge against his aunts and cousin, who insulted his mother and refused to recognize his cult.

Elli Papakonstantinou offers an unexpected reading of Greek tragedy, linking myth, philosophy and foundational narratives, highlighting her militant spirit and commitment to current social and societal issues.

The piece transcends boundaries between genres, languages, nationalities, and eras. The bursts of classical opera and the stability of dance blend to create a pop and cinematic work, captivating the audience and making the Greek myth feel alive and relevant.

With its striking staging, blending multiple visual effects, music, dance and opera, this piece offers a powerful and exciting experience.

For the creators of THE BACCHAE, “the concept of queer goes far beyond a set of personal preferences. It is above all an opportunity to look at the world in an entirely new and open way.” Elli Papakonstantinou , as director, follows the flow of text, music, video, and dance in search of a new performative language.